Sean Sullivan

My latest position was senior editor for FSF magazine. Based in Fort Lauderdale Florida, FSF prints 6 issues a year, 40K copies per issue, approximately 140 page per book. As the only full-time editorial staff my responsibilities ran the gamut for a magazine of this size. I conceptualized all the stories, I shot the photos & video, I wrote the stories, the reviews, tips, tutorials, you name it, I made it. In addition to handling all the editorial duties, I was also responsible for finding contributors, reviewing content, etc. This includes both print and digital editions. PELAGIC GEAR - Lead content creator & editor - photography / video Ͳ09/2016 to 03/2020 ͕ŵLJũŽďǁĂƐƚŽĨƵůĨŝůůƚŚĞďƌĂŶĚƐǀĂƐƚŵĞĚŝĂŶĞĞĚƐ ďLJƚĂŬŝŶŐŵĞĚŝĂƉƌŽũĞĐƚƐĨƌŽŵĐŽŶĐĞƉƚƚŽĐŽŵƉůĞƚŝŽŶ͘During this period, I designed, installed, and ran a full service media studio in a dedicated off-site facility. It was here I handled all aspects of the content creation & delivery process. This included video production, as well as original product photography using a custom-built lighting and capture rig͘ When I wasn't working in the studio, I was tasked to shoot on location in some of the world's most stunning localesŝŶĐludingŽƐƚĂZŝĐĂ͕ĂďŽ^ĂŶ>ƵĐĂƐ͕ĞůŝnjĞ͕ĂŶĚ^ŽƵƚŚĞƌŶ&ůŽƌŝĚĂ͘

I worked at Pelagic for four years as the staff photographer and video producer. During this period I designed, installed, and ran, a full service media studio in a dedicated off-site facility. It was here I handled all aspects of the content creation & delivery process. This included video production, as well as original product photography using a custom built lighting and capture rig that I designed. When I wasn't working in the studio, I was tasked to shoot on location in some of the world's most stunning locales. At Pelagic my job was to take media projects from concept to completion, to fulfill the brands vast media needs we regularly did shoots in Costa Rica, Cabo San Lucas, Belize, and Southern Florida. We also documented some of the largest big game fishing tournaments in the world, from this content we produced a series of professional quality video shorts as well as large still photo collections that were then utilized across the Pelagic promotional eco-system.

30 years, my vast collection of imagery fit naturally into a pair of published coffee table books. Carlton Books of London, and had 13k copies pressed. The book quickly sold out and can now be found at a premium on Amazon dot com 2017 and featured a collection of my classic skateboarding imagery from the late 80's up to 2016. This book can also be found on Amazon. Please feel free to request copies of the books, more than happy to send out copies to you & your team.

High end professional camera sales - 05/2006 to 03/2008 In the mid 2000's I took a hiatus from professional photography to test myself on the other side of the counters as a sales associate handling top level DSLR and video camera sales across brands like Nikon, Canon, Sony. ** During my tenure as part of the Mike's sales team I was consistently #2 in sales out of a team of 8. SNOWBOARDER MAGAZINE - Senior Photographer Ͳ09/1990 to 05/2001 For more than a decade I was a senior photographer with Snowboarder Magazine. As part of the first generation of senior shooters to work with Snowboarder, my photo work helped usher in a new era in Snowboarding. During this time, I was fortunate to have my images featured on more than a dozen magazine covers and literally hundreds of pages within the mag. My job consisted of taking editorial projects from concept to completion for publication. Some of the features I brought to the magazine included "Alternative environments", an artistic presentation featuring various top pros performing their favorite offboard activities. I also was the creator of the original 'Super Park' concept that Snowboarder magazine hosted for more than 20 years. PUBLISHED PHOTOGRAPHER & AUTHOR OF FOUR COFFEE TABLE BOOKS As a professional photographer of more than 30 years, my vast collection of imagery fit naturally into a Series of published coffee table books. ZtEdKtdZ ʹdŚĞt/>ĨŝƐŚŝŶŐĂĚǀĞŶƚƵƌĞƐŽĨ^ĞĂŶ^ƵůůŝǀĂŶʹϮϴϰƉĂŐĞƐŽĨƐƉŽƌƚĨŝƐŚŝŶŐŝŵĂŐĞƌLJ͕ŝŶƐŝŐŚƚƐ͕ĂŶĚ ĂŶĞĐĚŽƚĞƐ͘ZĞůĞĂƐĞKĐƚŽďĞƌϮϬϮϯ d, DKEz^, KdͲϮϬt/>ƉŚŽƚŽƐĂŶĚŚŽǁ/ƐŚŽƚƚŚĞŵ ʹĐŽŵƉĞůůŝŶŐŚŽǁͲƚŽ͕/ŶĐůƵĚĞƐ͕ƚŝƉƐ͕ŝŶƐŝŐŚƚƐ͕ĂŶĚŝŶƐŝĚĞƌ ŬŶŽǁůĞĚŐĞŽŶŚŽǁ/ĐĂƉƚƵƌĞĚƐŽŵĞŽĨŵLJŵŽƐƚŝĐŽŶŝĐŝŵĂŐĞƐ͘ >/E^ͲdŚĞ^ŶŽǁďŽĂƌĚŝŶŐƉŚŽƚŽŐƌĂƉŚLJŽĨ^ĞĂŶ^ƵůůŝǀĂŶ ʹϮŶĚĞĚŝƚŝŽŶƌĞůĞĂƐĞĚƚŚŝƐƉĂƐƚĨĂůů͘ŽŶƚĂŝŶƐϮϬϬƉĂŐĞƐŽĨĨƵůůĐŽůŽƌ ͕ĚŽŝŶŐǁŚĂƚƚŚĞLJĚŽďĞƐƚ͕ŝŶƐŽŵĞŽĨƚŚĞŵŽƐƚƐƚƵŶŶŝŶŐůŽĐĂůĞƐŽŶ ĞĂƌƚŚ͘ Z'Λt/>>ʹϮŶĚĞĚŝƚŝŽŶͲůĂƐƐŝĐ^ŬĂƚĞďŽĂƌĚŝŶŐƉŚŽƚŽŐƌĂƉŚLJďLJ^ĞĂŶ^ƵůůŝǀĂŶ ͲĂŵĞŽƵƚŝŶϮϬϭϳĂŶĚĨĞĂƚƵƌĞĚĂ ͘dŚŝƐŬĐĂŶĂůƐŽďĞĨŽƵŶĚŽŶŵĂnjŽŶ͕ƌĞĐĞŶƚůLJŝƐƐƵĞĚ ŝŶĂŶƵƉĚĂƚĞĚŚĂƌĚĐŽǀĞƌĞĚŝƚŝŽŶ͘ ** WůĞĂƐĞĨĞĞůĨƌĞĞƚŽƌĞƋƵĞƐƚĐŽƉŝĞƐŽĨƚŚĞŬƐ͕ŵŽƌĞƚŚĂŶŚĂƉƉLJƚŽƐĞŶĚŽƵƚĐŽƉŝĞƐƚŽLJŽƵΘLJŽƵƌƚĞĂŵ ** WZKhZͲ͚t, >^, Z<͛Ͳ^Khd, ZE>/ KhDEdZzͲϬϭͬϮϬϭϰƚŽϬϯͬϮϬϭϲ KǀĞƌƚŚĞĐŽƵƌƐĞŽĨƚǁŽLJĞĂƌƐ͕/͘ dŚĞĚŽĐƵŵĞŶƚĂƌLJǁĂƐĞŶƚŝƚůĞĚΖtŚĂůĞ^͘ƵƌŝŶŐ ƚŚŝƐƉĞƌŝŽĚ͕/ ƉƌŝƐƚŝŶĞůŽĐĂůĞƐ͘/͘dŚĞƉƌŽũĞĐƚǁŽŶĂŶ ŚŽŶŽƌĂďůĞŵĞŶƚŝŽŶĂƚƚŚĞĞůŝnjĞ&ŝůŵ&ĞƐƚŝǀĂůŝŶϮϬϭϳ͘/ƚĐĂŶďĞǀŝĞǁĞĚŽŶŵLJzŽƵdƵďĞƉĂŐĞ͘

Snowboarder Magazine - Southern California For more than a decade I was a senior photographer with Snowboarder Magazine. As part of the first generation of senior shooters to work with Snowboarder, my photo work helped usher in a new era in Snowboarding. During this time I was fortunate to have my images featured on more than a dozen Magazine covers and literally hundreds of pages within the mag. My job consisted of taking editorial projects from concept to completion for publication. Some of the features I brought to the magazine included "Alternative environments", an artistic presentation featuring various top pros performing their favorite off-board activities. I also was the creator of the original 'Super Park' concept that Snowboarder magazine continues to do each year, the idea was initially meant as a showcase of "the very best, riding the very best terrain possible". Since then, the annual event has become an institution in the Snowboarding industry. I remain in contact with the people at Snowboarder and can provide references.